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文章
“人文触觉”荷兰Droog大师设计展
by dns1980

荷兰设计大师团队Droog的亚洲及澳洲巡回作品展 ——"人文触觉",所展出的作品都是Droog旗下知名设计师的精心设计,展览的目的在于加强使用者与设计作品之间的互动关系。整个展览共有100多件展品,分为"记忆"、"互动"、"触感"、"功能"、"体验"、"不尽完美"、"熟悉"和"装饰"几大部分,其设计的特点是适合不同的场所、拆装简便、简单易行,使用者对设计作品拥有极强的自主操作性。

装置是"人文触觉"展出的重要组成部分。参观者通过接触和移动与产品进行互动,从而激发对该设计产品的进一步探索与思考。装置由一组功能类似产品布景的物品构成,这些物品通常是一组家具,如桌子、橱柜、灯、椅子等等。它们一起构成了展示Droog产品的或小型或大型的房间。在这些模拟的房间里,参观者可以重新发现自己日常使用的家居用品竟然都具备了一些特殊的功能,或者是由特殊的材料组成,或者就是变的更加奇妙有趣。装置部分是由年轻的荷兰设计师Simon Heijdens所设计。

"人文触觉"荷兰Droog大师设计展是一次中荷两国里程碑式的文化和教育交流活动,其目的是为了加强两国之间的文化认识和理解。本次艺术展由中国对外艺术展览中心主办,荷兰Droog设计公司和上海比翼艺术发展有限公司承办,外滩18号创意空间和OCT当代艺术中心协办,以及由名业商务咨询(上海)有限公司担任公关及推广顾问。同时,此次活动也得到了荷兰驻上海总领事馆及维他命空间的大力支持。

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Radiator "Heat wave"
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This radiator proves that decoration and functionality do not have to be mutually exclusive. For a good heat exchange one needs a large surface area. It is exactly this which is provided the baroque-like design. Joris Laarman has succeeded in finding a style which couldn't be further pure functionalism, but results in a wonderfully funtional radiator.


Soft Lamp
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With this lamp the old PVC dip technique acquires a new use. The cord practically melts into the soft lamp shade.


Red Blue Chair
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A combination of two strong icons: Rietveld and Lego. A bit larger than the original though, as the Lego grid turns out to be 6% bigger than the grid used by Rietveld for his red-blue chair. 106% Rietveld shows how we can make classic products ourselves every day.
Flex Lamp
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Lampshade and bulb made of the same flexible material. No harm done when you bump your head against the lamp or open the cupboard door too furiously. The light involves an energy-saver in an authentic way, the bulb itself is turned into a filament. A kitchen lamp new style!

Chair With Holes
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By drilling holes in this chair it has been made lighter, both visually and physically. The greater the demands on the construction the smaller the designer made the holes. The chair almost lost a third of its weight that way.

Chest of Chair
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Improvised chest, compose of 20 old drawers put into a woorden case, piled up and bound together with a belt. Remy's chest of drawers not only turns its back on superficial, elegant design, but also criticises both the excess and the consumer mania that pervades the world. The chest has no fixed form; the drawers can be combined and exchanged at will.


Milkbottle Lamp
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The mile bottles hang on long cables just above the floor, always twelve at a time - three rows each of four bottles, just like the Dutch milk crate in the old days.
Pinball Machine "Lucky Cat"
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A pinball machine with which nothing can be won but a bit of happiness.



Table Cloth "Tableau"
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Table-cloth decorated with the shadows of a table arrangement, projected on the cloth by a photogram technique. More than merely casting a shadow of plates, dishes and glasses, the cloth tells a story and reflects the atmosphere of the dinner through shadows of what might have happened at this table.

Cow Chair
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With this chair, which consists of no more and no less than a single cow hide, nature determines the ornamentation. The chair is made of an untreated cow hide, soaking wet, stretched around a form and then left to dry for a week. Then it becomes hard as stone.
Chandelier "85 Lamps"
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The individual parts of this lamp are completely plain but the combination makes of them an opulent chandelier. Less and more, united in a single product.


Rag Chair
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This chair came into being as a criticism of the materialism and of the flood of products in our society. Tejo Remy wanted to start again from the beginning, like Robinson Crusoe on his lonely island, living on whatever can be found.

Bench "Come A Little Bit Closer"
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To sit on this bench means to slide over the marbles to the person next to you. The effect is strengthened by the sound of hundreds of marbles rolling in every direction. A special way of contacting your neighbours.
Fatlamp
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Lamp with a light source that is hiden in fat. Turning the light on starts an intriguing process: you can see the structure of the fat slowly melting and becoming gradually brighter. You can feel the lamp warming up. This lamp is a typical example of slowness which was highlighted in Droog's 2004 Go Slow presentation in Milan.

Table Chair
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Many designs by Richard Hutten are based on the archetypical table. By repetition, piling up and changing the measurements of basic elements a new image comes into being.


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